Showing posts with label musicals classical. Show all posts
Showing posts with label musicals classical. Show all posts

The Rocky Horror Picture Show (2 Disc Special Edition) [1975]


If a musical sci-fi satire about an alien transvestite named Frank-n-Furter, who is building the perfect man while playing sexual games with his virginal visitors, sounds like an intriguing premise for a movie, then you're in for a treat. Not only is The Rocky Horror Picture Show all this and more, but it stars the surprising cast of Susan Sarandon and Barry Bostwick (as the demure Janet and uptight Brad, who get lost in a storm and find themselves stranded at Frank-n-Furter's mansion), Meat Loaf (as the rebel Eddie), Charles Gray (as our criminologist and narrator) and, of course, the inimitable Tim Curry as our "sweet transvestite from Transsexual, Transylvania". Upon its release in 1975, the film was an astounding flop. But a few devotees persuaded a New York cinema to show it at midnight, and thus was born one of the ultimate cult films of all time. The songs are addictive (just try getting "The Time Warp" or "Toucha Toucha Touch Me" out of your head), the raunchiness amusing and the plot line utterly ridiculous--in other words, this film is simply tremendous good fun. The downfall, however, is that much of the amusement is found in the audience participation that is obviously missing from a video version (viewers in cinemas shout lines at the screen and use props--such as holding up newspapers and shooting water guns during the storm and throwing rice during a wedding scene). Watched alone as a straight movie, Rocky Horror loses a tremendous amount of its charm. Yet, for those who wish to perfect their lip-synching techniques for movie cinema performances or for those who want to gather a crowd around the TV at home for some good, old-fashioned, rowdy fun, this film can't be beat. --Jenny Brown

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Little Shop Of Horrors [1987]


The off-Broadway comedy-horror-musical hit that ran for years makes a successful transfer to film with a bevy of big-name cameos and two perfectly cast leads. Rick Moranis is the nebbish Seymour, who pines for flower-girl Audrey (Ellen Greene) while living in the basement of florist Mr Mushnik (Vincent Gardenia). Things start turning around for Seymour, though, after he buys a little plant during a solar eclipse, christens it Audrey II, and discovers that it likes to drink blood. Soon enough, though, Seymour finds out that Audrey II, now grown to epic proportions, is in actuality a "mean green mother from outer space" that is hell-bent on world domination. Based on the 1960 Roger Corman cheapie that featured a young Jack Nicholson, Little Shop boasts a hilarious, amazing score by Howard Ashman and Alan Menken, who would go on to revitalise Disney's animation arm with The Little Mermaid and Beauty and the Beast. Greene, the lone holdover from the original cast, is a ravishing, goofy Audrey, whose awkward demeanour belies a voice that could knock Ethel Merman off her feet. She's ably matched by Moranis, whose lack of a singing voice is perfectly in sync with Seymour's nerdiness. And Levi Stubbs Jr of the Four Tops provides the low-down, nasty-minded voice of Audrey II; his rendition of the Oscar-nominated "Mean Green Mother from Outer Space" is a showstopper. As for those celebrity cameos, Steve Martin's sadistic dentist is a masterful creation, as is Bill Murray's masochistic patient; John Candy, James Belushi, and Christopher Guest also pop up. And there was never a lovelier and funkier Greek chorus than the three Motown-fuelled girls (Tichina Arnold, Michelle Weeks and Tisha Campbell) who appear throughout the film. --Mark Englehart, Amazon.com

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Dirty Dancing 20th Anniversary Collectors Edition [1987]


Headstrong 17-year-old Baby Houseman hardly expects her family's usual summer vacation in the Catskills to be momentous. But then Baby spies Johnny Castle, the resort's dance instructor from the wrong side of the tracks. Johnny's facing a crisis: his dance partner and friend Penny is pregnant and has reluctantly decided to get an abortion. This leaves Johnny a solo act--until Baby agrees to take Penny's place. She has to learn how to dance first, however, and as Johnny teaches her the choreography's sexy, seductive moves, the two fall in love. But Baby's father believes that Johnny is the creep who got Penny pregnant, and he furiously orders Baby to end the relationship. Baby knows that Johnny's innocent--and with her feisty idealism and his dance talent, the two will prove to Baby's father that their love is worth fighting for.

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