Showing posts with label action adventure. Show all posts
Showing posts with label action adventure. Show all posts

Severance [2007]


Seven colleagues from Palisade Defence embark on a team-building weekend away in Hungary only to find their holiday being sabotaged by a mysterious enemy. A motley group of employees from the company find themselves abandoned in a spooky forest when their coach driver refuses to continue to their destination. The group includes sycophantic manager Richard (Tim McInnerny, Darling in BLACKADDER), driven supervisor Maggie (Laura Harris, 24), and drug-taking joker Steve (Danny Dyer, THE BUSINESS). The septet quickly get lost. After taking some Mexican magic mushrooms, Steve swears that a balaclava-clad man crept up on him. Maggie dismisses Steve's alarm as a side-effect of the hallucinogenic drugs. The group come across an unwelcoming concrete building and decide to set up base there. When one of the group discovers a room filled with files in Russian and stamped with a logo similar to Palisade's, a number of conspiracy theories are suggested. When members of the group start being tracked down by an enemy intent on violence, the group realise that one of the theories may not be so ludicrous. The first half of SEVERANCE is played as a straight comedy, making an initial impression that the film is trying to be a holiday special of THE OFFICE, albeit with broader characterisation. Much like HOSTEL, the film switches half way through and becomes a bloody and gory horror film. Christopher Smith--who made the terrifying CREEP--has made a film that is not only packed full of humour but also features some inventively nasty scenes of bloodshed.

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Smallville: Complete Season 1


The venerable Superman mythos gets a 21st-century updating in the imaginative and engaging TV series Smallville. The premise of the show--Superman as a teenager--takes up just a few pages in Superman's very first comic-book appearance (in Action Comics back in 1938), but producers Alfred Gough and Miles Millar flesh out that period by portraying young Clark Kent (Tom Welling) not as the noble Superman-in-waiting, but as an average teen with some not-so-ordinary supernatural powers, including incredible strength and heat vision (Clark hasn't lifted up, up, and away as of yet). Clark's desire to fit in with his peers and make sense of his extraordinary abilities grounds him in very realistic and identifiable terms for the series' primarily under-25 audience, as does his appealing and tentative romance with Kristen Kreuk as Clark's dreamgirl Lana Lang. But Smallville also strikes gold when it takes a turn towards more comic-book territory, as evidenced by the parade of shape-shifting killers and other outlandish antagonists (many generated, in one of the series' most ingenious notions, by the same devastating meteor shower that brought the infant Clark to Earth) that Clark must harness his powers to face and defeat. Gough and Millar, along with their capable cast (which includes Michael Rosenbaum as a young and already bald-pated Lex Luthor, and Annette O'Toole and John Schneider as the Kents) manage to pull off the precarious high-wire act of combining science fiction with coming-of-age drama to create this highly watchable programme. --Paul Gaita

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Braveheart [1995]


A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman

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The Bourne Supremacy [2004]


Matt Damon returns as amnesiac assassin Jason Bourne in this fast-paced follow-up to 2002's THE BOURNE IDENTITY. Forced out of hiding as the result of an attempt on his life, Bourne fulfills his earlier promise to wreak vengeance on his former CIA employers, some of whom may be in league with murderous Russians. Brian Cox and Joan Allen are both great as warring agency chiefs convinced Bourne orchestrated the murder of two of their own in a deal gone bad. Thanks to tense, gritty direction by Paul Greengrass (BLOODY SUNDAY), the plot stays tight, the characters believable, and suspense and thrills flow steady. Moody photography enhances the urban European locations, which--combined with handheld camerawork and fast editing--keeps the action realistic and CGI-free. Vividly capturing the fatalist flavor of Robert Ludlum's original novel, this is globalism noir at its finest. Franka Potente and Julia Stiles are back from the original, and the always dependable Marton Csokas shows up as one of Bourne's deadly fellow operatives. A rousing car chase through Moscow may outdo the ones in RONIN and THE FRENCH CONNECTION for visceral speed and length. As the icing on the cake, John Powell provides a menacing, ambient percussive score.

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Sin City [2005]


Brutal and breathtaking, Sin City is Robert Rodriguez's stunningly realized vision of Frank Miller's pulpy comic books. In the first of three separate but loosely related stories, Marv (Mickey Rourke in heavy makeup) tries to track down the killers of a woman who ended up dead in his bed. In the second story, Dwight's (Clive Owen) attempt to defend a woman from a brutal abuser goes horribly wrong, and threatens to destroy the uneasy truce among the police, the mob, and the women of Old Town. Finally, an aging cop on his last day on the job (Bruce Willis) rescues a young girl from a kidnapper, but is himself thrown in jail. Years later, he has a chance to save her again. Based on three of Miller's immensely popular and immensely gritty books (The Hard Goodbye, The Big Fat Kill, and That Yellow Bastard), Sin City is unquestionably the most faithful comic-book-based movie ever made. Each shot looks like a panel from its source material, and director Rodriguez (who refers to it as a "translation" rather than an adaptation) resigned from the Directors Guild so that Miller could share a directing credit. Like the books, it's almost entirely in stark black and white with some occasional bursts of color (a woman's red lips, a villain's yellow face). The backgrounds are entirely digitally generated, yet not self-consciously so, and perfectly capture Miller's gritty cityscape. And though most of Miller's copious nudity is absent, the violence is unrelentingly present. That may be the biggest obstacle to viewers who aren't already fans of the books and who may have been turned off by Kill Bill (whose director, Quentin Tarantino, helmed one scene of Sin City). In addition, it's a bleak, desperate world in which the heroes are killers, corruption rules, and the women are almost all prostitutes or strippers. But Miller's stories are riveting, and the huge cast--which also includes Jessica Alba, Jaime King, Brittany Murphy, Rosario Dawson, Benicio Del Toro, Elijah Wood, Nick Stahl, Michael Clarke Duncan, Devin Aoki, Carla Gugino, and Josh Hartnett--is just about perfect. (Only Bruce Willis and Michael Madsen, while very well-suited to their roles, seem hard to separate from their established screen personas.) In what Rodriguez hopes is the first of a series, Sin City is a spectacular achievement. --David Horiuchi, Amazon.com

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Pirates Of The Caribbean - Dead Man's Chest [2006]


Shiver me timbers, Captain Jack Sparrow (Johnny Depp - CHARLIE & THE CHOLOLATE FACTORY, ED WOOD) returns in this rip-roaring, sea-faring sequel to the colossal hit, CURSE OF THE BLACK PEARL. Reunited with Will Turner (Orlando Bloom - KINGDOM OF HEAVEN, TROY) and Elizabeth Swann (Keira Knightley - PRIDE & PREJUDICE, DOMINO), Sparrow must face his greatest adversary yet – the nautically naughty Davey Jones (Bill Nighy – LOVE ACTUALLY, THE GIRL IN THE CAFE). Directed by Gore Verbinski (THE RING, MOUSE HUNT), DEAD MAN'S CHEST is every bit as exiting as it's predecessor and sets the scene for part three in the trilogy, AT WORLDS END.

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Die Hard 4.0 [Blu-ray] [2007]


Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Die Hard 4.0 finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, Dodgeball) who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Die Hard 4.0 uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humour, and Willis's ability to toss off a quip while barely alive. Yippee-ki-ay! --David Horiuchi

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Pirates Of The Caribbean : Dead Man's Chest (2 Disc Special Edition) [2006]


Take the first Pirates of the Caribbean film, add a dash of 20,000 Leagues Under the Sea and a lot more rum. Shake well and you'll have something resembling Dead Man's Chest, a bombastic sequel that's enjoyable as long as you don't think too hard about it. The film opens with the interrupted wedding of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley), both of whom are arrested for aiding in the escape of Captain Jack Sparrow (Johnny Depp) in the first film. Their freedom can only be obtained by getting Captain Jack's compass, which is linked to a key that's linked to a chest belonging to Davy Jones, an undead pirate with a tentacle face and in possession of a lot of people's souls. If you're already confused, don't worry--plot is definitely not the strong suit of the franchise, as the film excels during its stunt pieces, which are impressively extravagant (in particular a three-way swordfight atop a mill wheel). It may help to know that Dead Man's Chest was filmed simultaneously with some of Pirates 3, so don't expect a complete resolution (think more The Empire Strikes Back) or the movie will feel a lot longer than it really is. Bloom shows a tad bit more brawn this time around, but he's still every bit as pretty as the tomboyish Knightley. (Seriously, sometimes you think they could swap roles.) Bill Nighy (Love, Actually) weighs in as Davy Jones and Stellan SkarsgÄrd appears as Will's undead father. But the film still belongs wholly to Depp, who in a reprise of his Oscar-nominated role gets all the belly laughs with a single widened eyeliner-ed gaze. He still runs like a cartoon hen and slurs like Keith Richards--and he's still one of the most fascinating movie characters in recent history. --Ellen A. Kim

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Lethal Weapon : The Complete Collection (4 Disc Box Set) [1987]


Riggs (Mel Gibson) is no ordinary cop. He's a Mad Max gone maniacal, a man whose killing expertise and suicidal recklessness make him a Lethal Weapon to anyone he works against, or with. Murtaugh (Danny Glover) is an easygoing homicide detective with a loving family, and a pension he doesn't want to lose. Lethal Weapon is the thrill-packed story of two Vietnam-vets-turned-cops who have just one other thing in common: both hate to work with partners. Fierce, fast and frequently funny, the Lethal Weapon DVD Collection fires off round after round of can't-miss entertainment and is a must-have for collectors or an adrenaline-packed gift.

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Pirates Of The Caribbean - The Curse Of The Black Pearl - 1 disc [2003]


Loosely inspired by the a Disney theme-park ride, PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL is a swashbuckling high-seas tale directed by Gore Verbinski. When camp Captain Jack Sparrow (Johnny Depp), an eccentric rogue, arrives at Port Royal, he barely avoids going down with his ship. Soon enough, he's in the market for a new one, but not before he saves the life of Elizabeth Swann (Keira Knightley), the beautiful daughter of the governor (Jonathan Pryce). This act of bravery sets into motion a sweeping adventure involving Elizabeth's childhood friend, blacksmith Will Turner (Orlando Bloom); a mysterious medallion; and a legendary pirate ship, the Black Pearl. The Pearl's mottled Captain Barbossa (Geoffrey Rush) wants Elizabeth's doubloon necklace, and when she's kidnapped by the ol' salty dog and his crew, Sparrow and young Will must rescue her and find out the truth behind the ship's curse. Verbinski's PIRATES is a welcome throwback to Hollywood offerings of yesteryear, filled with rope-swinging heroes, crusty villains, treasure hoards, swift swordplay, and even wittier wordplay. Screenwriters Terry Rossio and Ted Elliott have crafted one of the most clever action-movie scripts in many moons, and this gives the filmmakers and cast (especially Depp) plenty of room to cut loose. Although the skeletal pirates may be a bit frightening for small children, there's lots of humour to temper the scary moments, making PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL a nearly flawless fun film.

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The Lord of the Rings Trilogy (Theatrical Edition Box Set)


Contains the theatrical editions of all three films from the Lord Of The Rings trilogy: The Fellowship Of The Ring, The Two Towers and The Return Of The King.

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